Die ägyptische Helena

München - 1 November 1987 - Wolfgang Sawallisch (c) - Program

Helena - Gwyneth Jones
Aithra - Carmen Reppel
Altair - Siegmund Nimsgern
Allwissende Muschel - Cornelia Wulkopf
Menelas - Klaus König
Da-ud - Kenneth Garrison
Erste Dienerin - Julia Faulkner
Zweite Dienerin - Birgit Calm
Elfen - Dorothea Geipel / Frances Lucey / Helena Jungwirth / Cornelia Helfricht
Herminone - Frances Lucey

NOTE: The synopsis below is adapted from a more extensive one contributed by David Anderson . The full exposition and David's explanation of the historical background are provided here for your reading convenience.

Act I The curtain opens on a torch-lit room in a palace on an island off the coast of Egypt, the time shortly after the sack of Troy.
01:09 Aithra sits alone with her all-knowing sea shell. Her servant offers her a drink of forgetfulness which she refuses. The Mussel reports on a ship off the coast with Menelas about to kill his wife, Helena. Aithra raises and stills a storm so the couple can get to land.
11:00 Helena immediately takes command of the situation and offers a drink to Menelas, who still rejects her
17:33 Helena tells Menelas that he has always loved her, but he declares he must kill her for his and their daughter's honor.. Menelas is on the point of slitting her throat, but he gazes at her face and is stopped short by her beauty.
23:22 As Menelas hesitates, Aithra enters and orders the elves to divert his attention and draw him away. He rushes off and Aithra introduces herself to Helena.
27:34 Aithra waves her hands over Helena and urges Helena to drink. Helena slowly drifts off to sleep. The Servant carries the sleeping Helena into an adjoining room.
33:37 Menelas returns, confused. Aithra tells him that Helena is sleeping in the next room. Aithra lies to Menelas that Helena did not run off with Paris, but dreamt that she lay in Menelas's arms; a phantom Helena had deceived Troy and Menelas. Menelas imagines that he hears Helena coming up from the nether regions.
43:10 Helena is seen rising from her bed. Under the influence of the lotus, Menelas imagines he sees before him the beloved wife he left when he went hunting so many years before. Aithra hints to Helena her little fiction. Helena accuses her husband of loving the phantom. They reconcile, and Aithra prepares to whisk them off to an oasis for a second honeymoon as they sleep

Act II Helena sings the best-known piece from this opera, the aria "Zweite Brautnacht." Menelas awakens in a complete muddle and in his confusion is ready to flee. Helena again calls the dark powers to her aid .
09:33 Aithra and her sisters send the sheikh Altair to serve Helena. Altair's teenaged son Da-ud reveals that he has also fallen under her spell. Menelas sees Paris in Da-ud. Altair announces that he will mount a hunt in Menelas's honor, secretly expecting his son or Menelas to kill the other. Helena laughs at the boy's proclamation of love. Da-ud rushes off, as Menelas reutrns, remarking on the earlier hunt when he had lost his wife. Helena tries to take the sword away from him, but Menelas goes off to the hunt.
26:17 Aithra and two of her servants reveal themselves to Helena and tells Helena of the drink of remembrance; Helena exclaims that this will solve their problems. Despite telling Helena that it would bring about her death, Aithra cannot talk Helena out of her decision. Altair approaches, making no secret of his intentions. Helena warns him not to violate her position as a guest as Aithra laughs that all Helena's troubles result from her beauty. Aithra's servants break in with an account of the hunt, ending with Da-ud's death.
35:07 Menelas follows Da-ud's body in a daze. Preparing for Altair's feast, Helena and Aithra's servants mix the drink of remembrance. Altair's followers enter with concealed weapons. Menelas and Helena drink. Menelas is about to kill her when Aithra brings him up short with mention of their daughter. He gazes at Helena, realizes that he loves Helena, and forgives her. Altair bursts in but is stopped by Poseidon's legions with the couple's daughter Hermione. As their horses are saddled, Helena and Menelas call upon the winds to carry them home accompanied by a surging orchestral conclusion.

This performance follows the 1933 revisions that Strauss, Clemens Krauss, and Lothar Wallerstein made to Act II, with the exceptions of a new cut (reh. no. 20 to no. 27) in the Helena-Menelas dialogue in the first scene, and the use
of the original version of Helena's music at the end of scene 2.