
Complete recording

Poster by Georges Rochegrosse for the Paris première
(1913)
Pénelope
.........................................................
Régine Crespin
Ulysse
..................................................................
Raoul Jobin
Eurymaque
....................................................
Robert Massard
Euryclée
................................................... Christiane Gayraud
Cléone
...................................................... Madeleine Cagnard
Melantho ....................................................... Françoise
Ogéas
Alkandre ....................................................
Geneviève Macaux
Phylo
.................................................................. Nicole Robin
Eumée
............................................................ André Vessières
Antinoüs .......................................................... Joseph
Peyron
Léodès
.............................................................. Michel Hamel
Ctésipe ........................................................ Bernard
Demigny
Pisandre .........................................................
Pierre Germain
Les Choeurs de la RTF et l 'Orchestre National
D.-E. Inghelbrecht, cond.
French Radio, May 24, 1956
When Fauré, with some theatrical but not specifically operatic
experience was searching for a libretto, the singer Lucienne Bréval
recommended a text by René Fauchois on the subject of Penelope and
Ulysses. Fauré started work in 1907 but his directorship of the Paris
Conservatoire meant that composing was virtually restricted to the summer
break. it took him five years to complete the opera, premièred in Monte
Carlo on March 4, 1913 and played in Paris two months later.
Outwardly unsensation and unspectacular, concerned not with doomed love
but with a marrigae happy and lasting in spite of the strain of external
events, Pénélope is composed in a bare, economical, pared-down
musical style, in which Fauré clothes deep feelings running at high
tension below the surface.
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