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This is the third album from Landmarq. The original release of
"The Vision Pit" was through SI Music/Roadrunner (SI3073-2), but
it was re-issued on Landmarq's own label Synergy in 1997, with the
same tracks as on the SI Music/Roadrunner release.
Damian Wilson, also known from the Prog Metal act Threshold
handles the vocals. Damian has got a voice that is very hard to
get used to. I really like his vocals on Threshold's album
"Wounded Land" from 1993. His voice suites better in that kind of
music than in Landmarq's. Landmarq is playing symphonic rock that
is much in the same vein as Pendragon, and Landmarq is one of the
premier bands in this genre from UK.
Unfortunately this release doesn't really live up to the same
standard as we are used to with other releases that this musicians
have been participating in. The main reason lies in the song
qualities. There aren't enough of good, memorable tracks to fill
up a whole CD. The best tracks though are very good, such as
"Cutting Room", "Narovlya" and "Hanblechia".
In the CD booklet you can read the following about the track
"Narovlya": "This song was inspired by the letter of a
kindergarten teacher, Valentina Klimchenko, who was a witness to
the devastation of the people of her home town, Narovlya, in
Belarus after the terrible catastrophe of the Chernobyl nuclear
accident (on the borders of the Ukraine and Belarus) on 26th April
1986". This track makes you think about the damage that we're
doing on our planet Earth, and fills you with anger of how the
governments are handling catastrophe situations, with inadequate,
wrong or no information at all. This track is a masterpiece that
almost makes the album as a whole worth having.
This is not a bad album, but it leaves a lot to wish for.
"Narovlya" though is almost justifying you to buy this CD.
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