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This album is really not a full length from Dream Theater. It's just one
new song, depending on how you look at it. The first track "A Change of
Season", a 23 minute long song divided into seven parts. So, with some
kind of Theater imagination you can see more than one song in here. The
rest of the album is live performances of Dream Theater doing covers of
their favourites. Quite entertaining.
"A Change of Seasons" is divided into seven parts, and three of them are
instumental. It starts out with an 7-string (or is it downtuned?)
acoustic intro thing by John Petrucci. It grows into something massive
where the whole band appears, except for LaBrie. This part is called
"The Crimson Sunrise" and has the length of a regular song. Then James
LaBrie enters, in part two. I really like the sound of this track and
album. Great guitars and bass sound, along with Mike Portnoys' eternal
drumming. The wild percussionist has chosen a little strange sound for
his snare. It's the kind that some death-metal bands use. The tiny weak
one, you know, that sound just like hammering on a barrel or somehing.
Real good though.
When it comes to the live perfomance, I must say that Dream Theater has
really succeded with this one. They're doing Elton John, Deep Purple,
Led Zeppelin, Pink Floyd, Queen, Kansas, Journey, Genesis and Dixie
Dregs. The last mentioned must have been a choice of John Petrucci,
since I know that he's a big fan of Steve Morse, the guitarist of Dregs.
I can't blame him, for that idolization, since I too really enjoy the
music of Steve Morse. Another favourite of these live things is Deep
Purples' "Perfect Strangers". One can't say that James LaBrie has that
unique Rock' n' Roll voice, but I think he does this song quite good
too. It's always hard to beat the original though.
The live stuff on this album is really only excerpts from a much longer
concert, where they did songs like "Damage Inc." (Metallica), "Happiness
is A Warm Gun" (The Beatles), "Easter" (Marillion) and a Yes-medley with
Steve Howe as guest guitarist.
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